Starpoet by Lisa Jain Thompson
Newsflash:
The StarPoet Newsletter
Vol. XI, No. XII (March 20, 2010 C.E.)
StarPoet Newsletter by Lisa Jain Thompson

Spring!  Equinox!  Let there be light!   Warmer weather would be nice too.  And a sun tan and an ocean or two.  Lake Tahoe, Big Trees, Silver City and Reno.   Jackson.   And a poem that Sappho would approve.

Black crows
Dark tree branches
Soft blue sky
With the sun in the corner
Half moon to the right

The day awaits us
For friends
For wine
For dancing
And for Love

Lisa Jain Thompson c. 2010 C.E. 

The first dozen done and distributed.   There's many more on the way.  Tell your friends, tell your family, hell, tell your enemies too.  Here come Starpoet in her weekly dance.
starting big and working my way up.  or maybe not.

Of All The Gin Joints

I find God's purposes obscure
As does he, I suspect, find mine;
I chose not to deny his existence
And he, in turn, does not seem
To interfere with mine.

I am alive, of course, here on Planet Earth,
And he is not; busy, I supose
With some other distant world
Of more import in the Cosmic Schema;
Perhaps even one in some other galaxy,
He has so many to chose from, afterall.

If he would like, we could do a coffee
Or a lunch someday, using the the time
To discuss our mutual plans,
Where they coincide and where they diverge;
Who knows, we might even decide
We actually like each other.

But, in the meanwhile,
Until he and I can meet in 3D,
Would I profess to believe what I do not,
I would surely be damned,
And he would be the first of all creatures
To tell me so.

— Lisa Jain Thompson (March 2010)

The line has in itself neither matter nor substance and may rather be called an imaginary idea than a real object; and this being its nature it occupies no space. Therefore an infinite number of lines may be conceived of as intersecting each other at a point, which has no dimensions and is only of the thickness (if thickness it may be called) of one single line.

--  Leonardo da Vinci  1452-1519

in the matter of a name

Jain Not Jain

Jain, not Jain,
Not Christian not Jewish,
Not Buddha, Not Mohammed
Not Tom Cruise's Scientology;
Neither Pope nor Mullah,
Or any flavor of Rabbi,
Not a pagan or a treehugger,
Or Hindu, Druid, or Mother Earther:
A human creature living her life
Who thinks she would enjoy it more
If all the preachers would just shut up, go home,
And leave her alone to contemplate the universe.

— Lisa Jain Thompson (March 2010)
when i was young and younger still
Good Bone Structure

I ain't never been
A party girl from Fort Worth,
Never running with the rougher sort
One step over the wild side.

I was a wide-eyed innocent
Who covered her cultural deficiencies
By being quick on the uptake,
Dimples and good bone structure
Didn't hurt much either.

— Lisa Jain Thompson (March 2010)

A shadow may be infinitely dark, and also of infinite degrees of absence of darkness. The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.

-- Leonardo da Vinci  1452-1519

timedrift
Oh Look

Oh look, it's dark outside,
Someone's been screwing with the time again;
Spring forward, fall back, who can remember?
Even my dog has trouble for a week or so
Figuring out if his dinner is really, really late
Or if the sun has gone askew again.

— Lisa Jain Thompson (March 2010)

If you condemn painting, which is the only imitator of all visible works of nature, you will certainly despise a subtle invention which brings philosophy and subtle speculation to the consideration of the nature of all forms— seas and plains, trees, animals, plants and flowers— which are surrounded by shade and light. And this is true knowledge and the legitimate issue of nature; for painting is born of nature— or, to speak more correctly, we will say it is the grandchild of nature; for all visible things are produced by nature, and these her children have given birth to painting. Hence we may justly call it the grandchild of nature and related to God.

-- Leonardo da Vinci  1452-1519

how it goes

Italian Ice in the Moonlight

Every move the sparrows watch,
Hoping for a stray crumb of stale dry bread
Or a hand scatter of sunflower seeds
Spread over the accumulated snow.
Three days after the record snowfall,
Three feet covers the ground, aging white,
With another storm blowing up and across
The eastern seaboard from Cleveland.
The well produced country music videos
Still sing of love and rusty pick-up trucks,
Whille the birds of the air huddle and scurry
For any food and warmth and shelter the humans
In their midst might inadvertently provide
From inside their well feathered townhouses.

— Lisa Jain Thompson (March 2010)
                                               
west we must go, you and I, into the sunset forever more
The Westering Wave

When my grandfather stepped off that ship
In New York Bay near the Jersey shore,
Two world wars lay before him in nineteen oh four,
The twenties and the depression were only possibilities,
and Neil Armstrong was three decades from being born.
If Grandpa had not boarded that ship in Palermo
Half a year before he turned eighteen,
If he had not left his parents and his friends
To take that westering voyage into the unknown,
The world would be short one American poet
And Sappho would still be whispering in vain.

— Lisa Jain Thompson (March 2010)

The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

-- Leonardo da Vinci  1452-1519

the difference between life and bad acting
Everybody's Darlin'

The sharp crisp sounds of would be trannies
Walking the streets in their well dressed heels,
Going so far and no further:
The surgeon's knife muffles that,
Separating the men from the women,
Stilling the loon's faint lonesome cry,
"What about me?  What about me?"
With the pragmatic reality
Of finally getting on with your life.

— Lisa Jain Thompson (March 2010)
the way we were

The Mare She Road In On

Every time, on every world,
They break every bone in my feet,
Every toe, every arch,
Taunting me with each blow.

Phalanx, metatarsal, cuboid, cuneiform,
Lateral, Medial, and intermediate,
Navicular, Talus, and Calcaneus,

One by one, sometimes two or three,
Fifty-six bones in total, all in all:
I am acutely aware of each downstroke.

Talk damn you, tell us what you know,
Are you the one they say you are,
Whose presence whispers through the darkness
And wreaks death and destruction on our brothers?

The hammer falls again
And I hear the crush of bone:
I no longer allow myself to feel.

A rifle butt, that one a club,
A dozen hammering curses
Demanding that I answer.

I scream and tell them to fuck off,
Daring them to continue and do their worst,
Knowing I will return and kill them one by one.

— Lisa Jain Thompson (March 2010)

And if you should say that the shells were carried by the waves, being empty and dead, I say that where the dead went they were not far removed from the living; for in these mountains living ones are found, which are recognisable by the shells being in pairs; and they are in a layer where there are no dead ones; and a little higher up they are found, where they were thrown by the waves, all the dead ones with their shells separated, near to where the rivers fell into the sea, to a great depth; like the Arno which fell from the Gonfolina near to Monte Lupo, where it left a deposit of gravel which may still be seen, and which has agglomerated; and of stones of various districts, natures, and colours and hardness, making one single conglomerate. And a little beyond the sandstone conglomerate a tufa has been formed, where it turned towards Castel Florentino; farther on, the mud was deposited in which the shells lived, and which rose in layers according to the levels at which the turbid Arno flowed into that sea. And from time to time the bottom of the sea was raised, depositing these shells in layers, as may be seen in the cutting at Colle Gonzoli, laid open by the Arno which is wearing away the base of it; in which cutting the said layers of shells are very plainly to be seen in clay of a bluish colour, and various marine objects are found there. And if the earth of our hemisphere is indeed raised by so much higher than it used to be, it must have become by so much lighter by the waters which it lost through the rift between Gibraltar and Ceuta; and all the more the higher it rose, because the weight of the waters which were thus lost would be added to the earth in the other hemisphere. And if the shells had been carried by the muddy deluge they would have been mixed up, and separated from each other amidst the mud, and not in regular steps and layers — as we see them now in our time.

-- Leonardo da Vinci  1452-1519

natural observation

Zoo Life

We are the slowest,
Most weakly muscled primate on the planet,
But the most broadly brained and adaptable;
We survive by the grace of our neurobiology,
Having conceded the battle of tooth and claw
When we chose to stand upright and leave
Our foot trails across the great African plains;
Six billion of us born from handful of hominids
Who would not even recognize their children
As their own, strangely hairless ape we've become,
Although they might give us a kiss if we asked nicely.

— Lisa Jain Thompson (March 2010)

When in the course ...

Our Duty As We Understand It

Something violent has wreaked havoc here,
A whisper darkness in the deep undercurrent;
What is this I see slouching towards Beijing
Gaudily dressed in my forefathers' clothes?

An ancient spectre walks along the waterfront,
A-rattle with chains and unproven mettle,
Pretending to be the linear descendent
To that title once held by our betters.

The fog of politics and hidden agendas,
Carefully closeted, boxes within boxes,
Ripens like some gangrenous cattle flesh
That fouls the air when the refrigeration fails.

— Lisa Jain Thompson  (March 2010)

1,  The earth is not in the centre of the Sun's orbit nor at the centre of the universe, but in the centre of its companion elements, and united with them. And any one standing on the moon, when it and the sun are both beneath us, would see this our earth and the element of water upon it just as we see the moon, and the earth would light it as it lights us.

2. The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.

-- Leonardo da Vinci  1452-1519

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