| The StarPoet Newsletter Vol. XI, No. XII (March 20, 2010 C.E.) |
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| Copyright © Lisa Jain Thompson 1948-2010. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |
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Spring! Equinox! Let there be light! Warmer weather would be nice too. And a sun tan and an ocean or two. Lake Tahoe, Big Trees, Silver City and Reno. Jackson. And a poem that Sappho would approve. |
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Black crows The day awaits us |
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Lisa Jain Thompson c. 2010 C.E. |
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| The first dozen done and distributed. There's many more on the way. Tell your friends, tell your family, hell, tell your enemies too. Here come Starpoet in her weekly dance. |
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| starting big and working my way up. or maybe not. |
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Of All The Gin Joints |
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I find God's purposes obscure I am alive, of course, here on Planet Earth, If he would like, we could do a coffee But, in the meanwhile, |
| — Lisa Jain Thompson (March 2010) |
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The line has in itself neither matter nor substance and may rather be called an imaginary idea than a real object; and this being its nature it occupies no space. Therefore an infinite number of lines may be conceived of as intersecting each other at a point, which has no dimensions and is only of the thickness (if thickness it may be called) of one single line. -- Leonardo da Vinci 1452-1519 |
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in the matter of a name |
| Jain Not Jain |
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Jain, not Jain, |
| — Lisa Jain Thompson (March 2010) |
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| when i was young and younger still |
| Good Bone Structure |
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I ain't never been I was a wide-eyed innocent |
| — Lisa Jain Thompson (March 2010) |
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A shadow may be infinitely dark, and also of infinite degrees of absence of darkness. The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow. -- Leonardo da Vinci 1452-1519 |
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| timedrift |
| Oh Look |
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Oh look, it's dark outside, |
| — Lisa Jain Thompson (March 2010) |
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If you condemn painting, which is the only imitator of all visible works of nature, you will certainly despise a subtle invention which brings philosophy and subtle speculation to the consideration of the nature of all forms— seas and plains, trees, animals, plants and flowers— which are surrounded by shade and light. And this is true knowledge and the legitimate issue of nature; for painting is born of nature— or, to speak more correctly, we will say it is the grandchild of nature; for all visible things are produced by nature, and these her children have given birth to painting. Hence we may justly call it the grandchild of nature and related to God. -- Leonardo da Vinci 1452-1519 |
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| how it goes |
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Italian Ice in the Moonlight |
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Every move the sparrows watch, |
| — Lisa Jain Thompson (March 2010) |
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| west we must go, you and I, into the sunset forever more |
| The Westering Wave |
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When my grandfather stepped off that ship |
| — Lisa Jain Thompson (March 2010) |
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The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death. -- Leonardo da Vinci 1452-1519 |
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| the difference between life and bad acting |
| Everybody's Darlin' |
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The sharp crisp sounds of would be trannies |
| — Lisa Jain Thompson (March 2010) |
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| the way we were |
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The Mare She Road In On |
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Every time, on every world, Phalanx, metatarsal, cuboid, cuneiform, One by one, sometimes two or three, Talk damn you, tell us what you know, The hammer falls again A rifle butt, that one a club, I scream and tell them to fuck off,
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| — Lisa Jain Thompson (March 2010) |
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And if you should say that the shells were carried by the waves, being empty and dead, I say that where the dead went they were not far removed from the living; for in these mountains living ones are found, which are recognisable by the shells being in pairs; and they are in a layer where there are no dead ones; and a little higher up they are found, where they were thrown by the waves, all the dead ones with their shells separated, near to where the rivers fell into the sea, to a great depth; like the Arno which fell from the Gonfolina near to Monte Lupo, where it left a deposit of gravel which may still be seen, and which has agglomerated; and of stones of various districts, natures, and colours and hardness, making one single conglomerate. And a little beyond the sandstone conglomerate a tufa has been formed, where it turned towards Castel Florentino; farther on, the mud was deposited in which the shells lived, and which rose in layers according to the levels at which the turbid Arno flowed into that sea. And from time to time the bottom of the sea was raised, depositing these shells in layers, as may be seen in the cutting at Colle Gonzoli, laid open by the Arno which is wearing away the base of it; in which cutting the said layers of shells are very plainly to be seen in clay of a bluish colour, and various marine objects are found there. And if the earth of our hemisphere is indeed raised by so much higher than it used to be, it must have become by so much lighter by the waters which it lost through the rift between Gibraltar and Ceuta; and all the more the higher it rose, because the weight of the waters which were thus lost would be added to the earth in the other hemisphere. And if the shells had been carried by the muddy deluge they would have been mixed up, and separated from each other amidst the mud, and not in regular steps and layers — as we see them now in our time. -- Leonardo da Vinci 1452-1519 |
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| natural observation |
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Zoo Life |
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We are the slowest, |
| — Lisa Jain Thompson (March 2010) |
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When in the course ... |
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Our Duty As We Understand It |
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Something violent has wreaked havoc here, An ancient spectre walks along the waterfront, The fog of politics and hidden agendas, |
| — Lisa Jain Thompson (March 2010) |
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1, The earth is not in the centre of the Sun's orbit nor at the centre of the universe, but in the centre of its companion elements, and united with them. And any one standing on the moon, when it and the sun are both beneath us, would see this our earth and the element of water upon it just as we see the moon, and the earth would light it as it lights us. 2. The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.
-- Leonardo da Vinci 1452-1519 |
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| Copyright © Lisa Jain Thompson 1948-2010. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |

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